Humphrey & Jack cover

Humphrey & Jack

Rated 5.0 out of 5
5.0 out of 5 stars (based on 14 reviews)

Humphrey is a retired academic. Jack is a seventeen year-old going off the rails. When Jack trashes Humphrey’s garden it is the beginning of an unlikely friendship in which both stand to gain.

‘Funny, wise and really quite moving – a tour de force’

Humphrey, a retired academic, considers himself to be a failure – at sex, at love, at life. He is acutely sensitive to noise and finds the twenty-first century bewildering. He expresses his disappointment at bi-weekly meetings with his cronies at The Seven Stars and in wrangling with his next door neighbour about her cat, Aristotle.

Seventeen year-old Jack is going off the rails. He is full of anger at the cards life has dealt him. He feels he has no future. He vents his anger in acts of vandalism and deliquency.

When Jack trashes Humphrey’s garden it is the beginning of an unlikely friendship in which both stand to gain. But when Humphrey is accused of a crime he did not commit, Jack cannot be found. Is this misfortune or a deliberate betrayal?

Ian Thomson has written a nuanced novel which is by turns hilarious and poignant. While Martin, his debut novel, was about revenge, Humphrey and Jack is about redemption. Once again his agile prose will forbid you to put it down.

Cover photograph by Helen Brace.

An excerpt from Humphrey & Jack

Cat face

Humphrey loathed cats. To be fair, he had a suspicion that he might be allergic to them and that a chance encounter could result in a rash and hideous sneezing fit. However, he reserved a particular detestation for this cat – a cat which he sincerely believed lived only to annoy him.

There had been the occasion when it had left a mangled partridge on his doorstep and Humphrey had nearly trodden on the carcass from which a cloud of nasty flies arose and settled. Recently, it had taken to parading back and forth along the terrace at night, turning the security light on and off and waking him up. He had seen the animal do it. Padding across the paving with its tail in the air, flooding his bedroom with orange light and returning when it went out. Finally, there had been the occasion on an insufferably hot night last August when Aristotle had got into his downstairs bedroom and sat on his head whilst he slept. Naturally it had frightened the hell out of him and he had grabbed the thing and flung it back out of the open window. He had not slept again that night.

Humphrey shifted slightly in his seat. Simultaneously, the blackbird flew off in his curve to the rhubarb and the cat streaked across the lawn and under the leaves.

‘Aristotle, NO!’

Humphrey rose to his feet, knocking over his Martini.

He was relieved to see that almost immediately the blackbird and his mate had flown out from the other side of the rhubarb patch and both of them had glided into an azalea bush on the other side of the garden hotly pursued by the cat which was now crouching low and stalking towards the bush.

‘Aristotle, sod off! Go on! Shoo!’ Humphrey bellowed, trying to pelt the cat with olives which fell far too short.

‘Leave them alone, Aristotle! Bugger off!’

He was suddenly aware that anyone in the public park which lay just beyond the low hedge at the bottom of the garden might have looked up and seen a sixty year old man waving his arms about and seemingly swearing at a Greek philosopher who had been dead for two and a half thousand years.

The cat, however, was blithely ignoring him and lay on the grass, head on front paws, staring into the bush.

There was nothing for it but for him to go down the stone steps on his creaking knees and chase the creature away. He picked up a stone on the way and threw it. Bingo! It hit Aristotle on the haunch and the cat turned with a yowl and sped in the opposite direction to the fence which ran between Humphrey’s garden and his neighbour’s. There, it looked back at Humphrey with a baleful stare, and then slipped like a black liquid through the narrow gap in the palings.

As Humphrey slowly climbed the steps back up to the terrace, the noise started up.

First there were the yippy dogs. Humphrey did not despise dogs as much as he did cats but he had no time for the little varieties with their high-pitched yip-yip-yip which set his teeth on edge. He abhorred these Yorkshire terriers and King Charles spaniels and dachshunds and corgis and other little rat-like lap dogs that no grown man should be seen with in public. Yet here they were, with their masters, out for their evening walk, and as soon as they were let off the leash, off they went, chasing each other in frenzied circles, and yipping away till Humphrey physically felt the noise as a tautening of the skin across his temples.

Then there was the screaming girl.

At the bottom of the park, near Prior Ingham’s Road, out of sight of Humphrey’s house except from upstairs, there was a children’s playground. Now, the sound of children playing didn’t unduly upset him. He wasn’t an ogre. The swings and slide and climbing frame were sufficiently distant for their cries to come to him on the evening breeze like childhood memories, dimmed and subdued by time.

Apart from the screaming girl.

He assumed it was a girl because no self-respecting boy would make such a racket and then keep it up, sometimes for almost an hour at a time, every blessed evening. It was an attention-seeking scream, a phoney distress scream, a diminutive diva scream. It made him want to find the child and say: ‘I’ll give you something to scream about’, and then strangle her so she couldn’t.

As usual, a game of football had started up near the bandstand and local oiks were uttering their oafish cries with every thump of the ball.

Lads on motor bikes with their silencers removed were roaring up and down Prior Ingham’s Road.

A neighbour had started up a strimmer.

Worst of all, the gang with the boom box were back. The amplified music with its thudding bass and moronically banal lyrics invaded the evening and took possession of it completely

Humphrey righted his Martini glass on its little tray and went back inside the house.

‘Just one Martini,’ his doctor had said but Humphrey set about mixing another. After all, he had spilt his first one. It’s true that there had been very little left in the glass but Humphrey was quick to persuade himself that he deserved another because of the din outside. He could still hear the banging bass rhythm in the kitchen even though it was at the other side of the house. He could actually feel the vibrations. They seemed arrhythmic and were very unsettling. He would have to tackle these youths, he thought. He could not endure this racket every night.

A second Martini led to a third and he was feeling defiant and courageous when, at about half-past nine, he set off down the garden with a walking stick to berate these selfish hoodlums over the low hedge.

Share This Page:

Reviews for Humphrey & Jack

Profound, touching and witty

Rated 5.0 out of 5
Thursday, 24 January, 2019

This story clearly illustrates how profoundly a single, seemingly tame but caring decision can impact and affect one’s personal life as well as the life or lives of others; how a small amount of love and attention can turn the tide. “Watching” how the wheel turns as the characters (particularly Humphrey) grow and change is exciting and poignant. This story will tug at your heartstrings in many ways, not the least of which is the poignancy which derives from the ebb and flow of the juxtaposition between the classic perspectives of youth and middle-age. Humphrey is a character that will stay with you long after you have finished reading. In addition, Mr. Thomson’s critically sharp wit will delight you beyond words; usually when you least expect it. All this and more as you fall under the spell of the entanglements of this unlikely friendship. Congratulations to Mr. Thomson for another profound and captivating book—one that has the makings of a classic.

- J. Dexter

Compelling and Deeply Affecting

Rated 5.0 out of 5
Wednesday, 16 January, 2019

Humphrey & Jack is a sucker-punch in a velvet glove. What begins as a bibulous amble through the life of a curmudgeonly retired academic ends as a trenchant exploration of love, sexuality and mortality. For all this, the plot never feels contrived or freighted with meaning. While the novel spends more than the odd moment in Larkin-land – life’s bitter autumn, tinny cultural noise and provincial otherness loom large – Ian Thomson’s prose never ceases to leaven and engage.

Like the protagonist in Ian Thomson’s ‘Martin’, Humphrey is a perennial outsider but the similarity ends there. Beneath his flinty and entertaining disdain for the mores of our time lies a vulnerability. For Humphrey, love is neither simple nor simply transactional. He is a seasoned intellectual and an emotional ingenue. Finding out exactly what love means to Humphrey leads him to open his heart and his house to a troubled but fiercely bright teenager and puts him on a collision course with the gutter press and the police.

In ‘Humphrey & Jack’, Ian Thomson tackles hefty themes with skilful plotting and nicely crafted prose. Without giving anything away, the resolution is well judged and deeply affecting. For me – forgive the almost-quotation, almost apposite – what will survive of this story is love.

- chastermief

I laughed out loud

Rated 5.0 out of 5
Sunday, 6 January, 2019

This book is essentially a comedy and it is guilty of making me laugh out loud in public more then once! There is Humphrey’s ineptitude at almost everything: his unrepeated teenage sexual blunderings; his exploits as a spectacular boozer; his jaundiced dialogues with fellow losers in The Seven Stars, and, most hilariously, his rows with Mrs Bellingham about Aristotle the cat. There are some marvellously observed minor characters: Secondhand Sue, Flake, the OU student, Mad Minty and Hector Podowski, the camp art teacher. And there is the relationship with Jack where both parties allegedly speak English but where Humphrey’s formalities often clash comically with the dialect of Generation Z. The ending is surprising: it comes in a rush and is at first shocking and then rather tender. By then the comedy is many shades darker than the earlier farcical chapters. This is a big, complex book which reads easily all the same. Resist reading on public transport or you may find yourself giggling uncontrollably and looking like an idiot.

- Marcus the Pleb

I laughed out loud

Rated 0.0 out of 5
Sunday, 6 January, 2019

This book is essentially a comedy and it is guilty of making me laugh out loud in public more then once! There is Humphrey’s ineptitude at almost everything: his unrepeated teenage sexual blunderings; his exploits as a spectacular boozer; his jaundiced dialogues with fellow losers in The Seven Stars, and, most hilariously, his rows with Mrs Bellingham about Aristotle the cat. There are some marvellously observed minor characters: Secondhand Sue, Flake, the OU student, Mad Minty and Hector Podowski, the camp art teacher. And there is the relationship with Jack where both parties allegedly speak English but where Humphrey’s formalities often clash comically with the dialect of Generation Z. The ending is surprising: it comes in a rush and is at first shocking and then rather tender. By then the comedy is many shades darker than the earlier farcical chapters. This is a big, complex book which reads easily all the same. Resist reading on public transport or you may find yourself giggling uncontrollably and looking like an idiot.

Marcus the Pleb

Youth and Age

Rated 0.0 out of 5
Thursday, 27 December, 2018

This intriguing novel is really a dialogue between Youth and Age. It ought not to work at all, but, for a while, the relationship between Humphrey and his protégé, Jack, becomes symbiotic and invests their lives with more value than either of them would have attained to as individuals. That ‘for a while’ is significant – both of them know that the friendship is transitory, but its significance reaches beyond their parting. Humphrey’s grumpiness and aversion to noise are the source of a good deal of broad comedy although an elegiac tone is never very far away. The sudden switch of point of view near the end of the novel is the last of many surprises in this carefully plotted work. As usual, Thomson’s prose is pitch perfect.

Fellow Cantab.

Youth and Age

Rated 5.0 out of 5
Thursday, 27 December, 2018

This intriguing novel is really a dialogue between Youth and Age. It ought not to work at all, but, for a while, the relationship between Humphrey and his protégé, Jack, becomes symbiotic and invests their lives with more value than either of them would have attained to as individuals. That ‘for a while’ is significant – both of them know that the friendship is transitory, but its significance reaches beyond their parting. Humphrey’s grumpiness and aversion to noise are the source of a good deal of broad comedy although an elegiac tone is never very far away. The sudden switch of point of view near the end of the novel is the last of many surprises in this carefully plotted work. As usual, Thomson’s prose is pitch perfect.

Fellow Cantab.

Submit A Review